Today I finished Chapter 1! And that's no April Fool's joke!

I am finding it so interesting to observe the writing process. On the one hand, "I" am doing the writing, but at the same time, "I" am observing what "I" am doing as I write. (I do this same split-brain thing while playing the piano and while riding/working with horses. It's how I learn to improve what I do.) The more I write, the more I learn about different ways to write. I am currently experimenting with the idea of "letting" the story write itself, rather than "making" it happen, which creates pressure/tension.

I have an outline, a rough plan for the plot, for themes I hope will come through. I have characters that I already know pretty well from the previous books (and a new one). I put them in a scene and let them do and say what they will, within the framework I have outlined. Then I watch to see what happens, and write it down. If I am patient and just stand back and look and listen, they come up with the details.

I know I blogged about this some time ago, but today I was reminded of some parallels to what I read in the Bible: "As a writer, I'm kind of playing 'God.' He's got a Big Plan (the plot) and various themes and sub-themes, which will work out the way He has planned, but within that plan, He gives us free will. And everything we choose ends up fitting into His Big Plan! (Unlike me, God doesn't have to wait to find out what His characters will choose to do--He already knows that, as well as the ending.)"

I need to figure out something about my new character (who has not yet appeared): will he be good with horses, or not so good? More a poser? And as I pondered, I heard myself saying to myself, "The reason you don't know is, you haven't seen him ride yet!" So maybe I don't need to figure it out at all--just be patient, wait and watch. I am pretty confident that it will take care of itself. I am learning more and more to not worry, not try too hard, but to trust the writing process, just as in my life I am learning more and more to trust in the Lord with all my heart, not to lean on my OWN understanding, but to acknowledge Him and wait confidently for Him to direct my paths.

In getting back into the sequel which I started years ago, I have used several writing strategies. First I reread, edited, cut and changed much of what I had. I looked at the pacing and decided my chapters were too long. I hope to attract reluctant boy readers, and my school experience the last few years convinced me that shorter chapters would make the book easier to handle. I cut almost every chapter in the middle, which meant I had to rethink the beginnings and endings of each chapter. I also divided the rest of my synopsis up into chapters, now that I know about how much needs to happen in each chapter. A check of my word count and a comparison to TOS showed me that I may be close to 2/3 done. It's time to start picking up the pace of the story. I made a timeline of events and chapters so I know what day I want the story to end on and what will take place on each of the last few days.

Next, I realized that the plot needed a little more focus. I reread some plotting guidelines, which reminded me to ask myself: what does the main character need or want, and what is standing in the way? What complications arise, so that it appears he will not be able to get what he wants? Thinking in these terms helped me to focus on what exactly Ben's fears and desires are, and what specific developments I could create to frustrate his desires, which increases suspense. This type of planning helped me to come up with ideas. And once I knew where I needed the story to go, I was able to go back to what I had already written and throw in a little foreshadowing--hints or shadows of what is to come.

The third strategy I used was to go back through my writer's notebook, which I hadn't looked at since I was finishing TOS. My notebook is full of cowboy sayings, cowboy stories, and other sayings and stories that I have collected, mostly from my husband and two sons. When I saw something that "grabbed" me, I would spend some time trying to figure out how I could weave that into the story. This would even give me ideas for adding to the plot or adding to scenes I had already written. Adding elements from real incidents gives more depth, detail, believability, and humor--"true fiction." As I wrote in an earlier post, writing is often like working a giant puzzle. Sometimes it's frustrating when you get stuck; then you find one little piece you need, and suddenly other little pieces start to jump out at you and fit together.