One drawback of being a writer is that it can ruin your reading enjoyment, your editor's eye automatically critiques everything you read; whether newspapers, magazines or books; and, half the time, I am constantly amazed at the level of writing; and the lack of editing that is out there!

Yesterday I began reading a novel, and by the end of the first chapter one, I was so aggravated--I shake my head, grind my teeth, and have this insatiable urge, to mark it up with my red pen; that I decided not to finish it: even though I am interested in the subject matter! I already tired of rereading; I can't make sense of what I just read. If there was a Hook in the first chapter, I missed it!--because I was so distracted, by things like:

*Sentences connected by commas.
*Endlessly long sentences that are actually four or five sentences combined by colons and semicolons.
*Other unusual and awkward sentence structures.
*A voice is lowered, yet no voice had been speaking--it had appeared that she was merely thinking.
*A new character with no clue to her identity, to where she might fit into the story, or the purpose of what was said to her.
*The mysterious new character complains about someone else by name, with no clue to that person's identity either.
*Nouns used as verbs.
*Missing verbs.
*Proper nouns not capitalized.
*A common noun capitalized.
*A question without a question mark.
*A sentence beginning with "But" followed by a colon.

I was under the impression that the large well-known Publishers use editors? But: are they so large, that now, they just skip that step in the publishing process; or, did an editor actually edit this? and then except this end-product as good; and might this level of editing what is now being produced, by colleges?--is a major publisher not embarrased by such writing.

And of course the whole time I am writing this--criticizing someone else's writing!--I am thinking, "let him who is without Sin cast the first stone." Perhaps as you read this, or something else I've written; you, entertain similar thoughts about me?

Actually quite a bit has been going on in the "Writer's Corner" of my life--yes, it only is one corner, not the main thing, which is why it takes me so long to get things accomplished. Two big things:

1) As a follow-up on my November blogpost, over the next few months, I contacted an administrator, several teachers, and various resource people in the school district to learn more about the Common Core Standards and how I might incorporate them into my existing Curriculum Unit for The Orange Slipknot. I ended up cutting some of my original material, rewording much of what remained, adding a few new things, and then inserting numbers to indicate which standard was met by each activity. My goal was to finish this by the end of summer, which I did. The second edition will be a great improvement! (It is not yet available.)

2) My second book, Starting the Colt, is in the works and is slated for release this coming spring! I recently finished editing and proof-reading the "page layout" version, in which the pages on my screen actually look like book pages--kind of exciting to get that visual of the finished product. I was amazed, in my editing, at how many things jumped out at me that needed fixed, clarified, or just improved. There was much less editing needed than in The Orange Slipknot, hopefully because I learned so much about writing from that experience that I did a better job in my initial writing of this one. But my publisher will now do further editing before creating the galleys, so I guess that remains to be seen.

Now that those two biggies are behind me, I have two more biggies to tackle. One involves marketing: Every year I contact all the Nevada fourth grade teachers for whom I can find email addresses (a very time-consuming project) to make them aware of The Orange Slipknot-plus-Curriculum Unit as a great social studies tool. The other involves writing: Now that I'm up to speed on the Common Core Curriculum, I need to craft a CU for Starting the Colt. This should take me much less time and work than the first one did.

One of the purposes of this blog has been to demonstrate what is involved in being a writer. First you write and self-edit the manuscript. Then you must market and sell the manuscript; however, I managed to skip this step with my second book, because my original publisher, Raven Publishing, was interested in my sequel. There is much involved in the publishing process--editing, proof-reading, galleys (preliminary unfinished copies), artwork and cover design, deadlines. Then you market and sell the book, which includes flyers, phone calls, emails, presentations, etc. And yes, blogging. Since I procrastinated so badly on my blogging, I am making up for it by posting twice in one day!

Oh yes, and don't forget websites--finding a host and learning your way around their technology, creating and updating your website, then repairing the things you screw up...which I was just reminded of as I tried to post this. In posting my earlier entry today and updating the link on my "janyoungauthor.com" home page, I found I had accidentally wiped out my entire home page. Instead I had somehow uploaded the wrong home page: the one from "jackyoungclinics.com"! I will admit to a few moments of panic as I tried unsuccessfully to get the right page to come up, until I finally figured out what had happened, and got everything back to normal. Sometimes I love playing with websites, but when things don't go right, well...let's just say the problem is not always fixed this easily!

I recently presented a student writing activity that didn't go as well as it had in my mind when I planned it. That learning experience helped me this past week, as I worked up a creative writing activity for a student writers event coming up soon. I realized there could be a different outcome than what I imagined. I looked for weaknesses in my plan and "tweaked" my steps and directions until I was satisfied. When I was done, I found it interesting how the activity had evolved. I ended up with something quite different than what I originally envisioned.

Writing a book often follows a similar process. You begin with an idea, not knowing exactly where you will end up or how you will get there. You type up your original idea, then stare at the screen and mull, add a little, subtract a little, mull some more, drag this part around and drop it somewhere that fits better, stare some more, etc. In fact, this ease of computerized writing and editing has freed me up immensely since the days of pen and paper, when my words looked so much more permanent, and seemed so much harder to rearrange.

Sometimes you realize that a whole section just isn't working, no matter how you move it around or tweak it. Your creative voice says, "I can't just delete that whole section! I spent a lot of time creating that!" But your self-critiquing voice says, "Yes, you know you must delete it. Be a big girl and just do it." As soon as you do, you feel relieved because you can see that now you are in a better position to get where you were going.

The more you write, the more ideas you get. Some you try out, then discard, then try another direction. The very process of thinking, writing it out, and editing leads to more creative thinking. As you go back and read aloud, you fix typos and find words that don't sound quite right. Even creating this blog post followed the exact scenario I've described.

Sometimes I am leery of starting a new writing project because I am not confident in my ability to come up with good work. Yet every time I make myself begin, I find I can trust this process, and I gain more faith in it. I choose not to listen to my excuses.

YEE-HAW!

Yep, I finished the sequel today! I've been so excited the last week or two, knowing how close I was, but I kept getting subbing jobs every day. I knew if I could just get a couple days to myself, I could do it. I couldn't write the last little bit in the evenings because I needed a quiet empty house to concentrate and "hear" what my characters were saying and thinking.

I've been thinking lately how funny it is that even though I know the plot and how my story will end, I don't know the details until I write them. And I don't write them until I put my characters in a situation, then watch them and listen to them--then I write it down. First you create believable characters, then you get to know them, then you put them in situations and see what happens. Sometimes they come up with the darned-est things. And sometimes I have to egg them on a little to get them going.

As I read my Bible, I see parallels to how God works. As a writer, I'm kind of playing "God." He's got a Big Plan (the plot) and various themes and sub-themes, which will work out the way He has planned, but within that plan, He gives us free will. And everything we choose ends up fitting into His Big Plan! (Unlike me, God doesn't have to wait to find out what His characters will choose to do--He already knows that, as well as the ending.)

Another thing I've been thinking about that relates to writing is working puzzles. I recently got some new bigger puzzles for my grandkids, and worked a few with them. I have always loved jigsaw puzzles, as well as crossword puzzles. I think perhaps working puzzles trains the brain to think in ways that help a writer: to look for and find seemingly unrelated things that might fit together, to foreshadow, to patiently work a little here and a little there on various themes and plot lines that will eventually converge.

So what do you think I'll do, now that I got to the end today? Do you think I'll kick back and take a break from writing? Give myself a party? Send it right off to a publisher? Start a new story? Guess again...every school kid should know the answer:

Rewrite! Edit! Polish! I'll go back to the beginning and read through (preferably out loud), looking for ways I can change passive voice to active voice. Looking for dull, overworked words that can be replaced with more interesting, active, descriptive words. Looking for awkward, wordy sentences that can be reworded or pared down. I do a little of this while writing, and while doing what rereading I've done. But if I see something I'm not satisfied with and can't think of a quick improvement, I don't let myself get bogged down there when I'd rather spend my limited time getting the whole story finished. I often just "bold" a word or sentence I want to rework so I can easily spot it later.

A writer needs to be able to separate her roles as creator and critic. Both roles are necessary, but should operate separately. First you create, then you critique your work. I do have a few people who are interested in reading and critiquing this story, providing some outside feedback. In the past I've been in critique groups, so I relied on others to point out what could be improved. I don't have one now, but hopefully I have learned enough from past groups, and from my experience working with the editor and publisher of The Orange Slipknot, that I can see my own work more objectively now and make improvements.

Something exciting has been happening the last couple months--I have learned a new way to write! And it's been working great! No one told me to try this; I didn't read it anywhere (that I can remember, anyway). I just kind of stumbled into it.

I wrote The Orange Slipknot straight through. When I got stuck, I stopped and thought until I figured out what would come next. I had lots of time on my hands in those days--chunks of several hours of unbroken quiet time, several times a week, to think and write. One of my frustrations with writing the sequel has been that my life is busier now, and it's hard to write in short chunks of quiet time here and there, or when my husband is home and the TV is on.

One evening I was sitting in the recliner with my laptop (where I usually write), staring at my synopsis, distracted by the TV. Because I couldn't write, I decided I'd just add a couple of thoughts to my synopsis. That wasn't so hard...so I added a little more. I kept staring absently at my screen, not really thinking about trying to write--half listening to the TV.

I noticed that one section of my synopsis was getting pretty detailed. It was about a conversation between Ben and his dad. It occurred to me that perhaps I could just edit that section a little and turn it into actual conversation. I added quotation marks, paragraphing, changed the wording a little, and suddenly, I had half a page of finished dialogue! Wow--I laughed out loud!

It didn't fit where I had left off in the story. It didn't even fit in that chapter--it was "future." But that was okay--it was a chunk of good writing that was ready and waiting for when the story arrived at that point. I wondered if I could do that again, somewhere else in my synopsis. I began playing with the synopsis, every time I sat down to write--adding ideas and details, then turning some little part of it into a few finished paragraphs.

One day I realized I had enough finished chunks to make a chapter! I just had to sketch in a few transitions, a chapter opening and ending, then a little editing to smooth it all out. I couldn't believe I had created a chapter like that--I had never done anything like that before. I had written it all backwards, but it worked! I didn't know yet how I would connect this to what I already had, but I could go back later and work on that. Meanwhile, I would work on little sections that "grabbed me."

I'm not an artist, but perhaps it is like painting a picture. You don't just start at the top and work your way down. You might start by sketching out some outlines and some ideas for colors. Maybe you work on one part, then a bit of another part, then maybe even get some details on one particular part. Then you might step back and look at it, making sure it's all going to balance out before you get too involved in one particular part. Here and there, you fill in, round out.

When I realized that I didn't have to write "in a straight line," a big burden lifted. Instead of staring unproductively at the place I was stuck, I could skip ahead and "play" with my synopsis. I am getting very excited about finishing this book!

I have written almost four chapters in the last two months using this method. I'm on the home stretch--the final fourth of the book--and I've had several new ideas that add to the plot. One came to me while watching the news. Another, when my husband happened to use the word "snudge," leading to an interesting conversation. One character that originally had a minor part in the story has developed more of a presence than I originally foresaw, adding a nice sub-plot and sub-theme. Several other possible ideas seem to be headed for the virtual trash can. I have one more tricky place to work on, then it's pretty well lined out.

In getting back into the sequel which I started years ago, I have used several writing strategies. First I reread, edited, cut and changed much of what I had. I looked at the pacing and decided my chapters were too long. I hope to attract reluctant boy readers, and my school experience the last few years convinced me that shorter chapters would make the book easier to handle. I cut almost every chapter in the middle, which meant I had to rethink the beginnings and endings of each chapter. I also divided the rest of my synopsis up into chapters, now that I know about how much needs to happen in each chapter. A check of my word count and a comparison to TOS showed me that I may be close to 2/3 done. It's time to start picking up the pace of the story. I made a timeline of events and chapters so I know what day I want the story to end on and what will take place on each of the last few days.

Next, I realized that the plot needed a little more focus. I reread some plotting guidelines, which reminded me to ask myself: what does the main character need or want, and what is standing in the way? What complications arise, so that it appears he will not be able to get what he wants? Thinking in these terms helped me to focus on what exactly Ben's fears and desires are, and what specific developments I could create to frustrate his desires, which increases suspense. This type of planning helped me to come up with ideas. And once I knew where I needed the story to go, I was able to go back to what I had already written and throw in a little foreshadowing--hints or shadows of what is to come.

The third strategy I used was to go back through my writer's notebook, which I hadn't looked at since I was finishing TOS. My notebook is full of cowboy sayings, cowboy stories, and other sayings and stories that I have collected, mostly from my husband and two sons. When I saw something that "grabbed" me, I would spend some time trying to figure out how I could weave that into the story. This would even give me ideas for adding to the plot or adding to scenes I had already written. Adding elements from real incidents gives more depth, detail, believability, and humor--"true fiction." As I wrote in an earlier post, writing is often like working a giant puzzle. Sometimes it's frustrating when you get stuck; then you find one little piece you need, and suddenly other little pieces start to jump out at you and fit together.

The illustrations are completed and the final editing and proof-reading are in progress. The next step is printing. The Orange Slipknot will be out by Christmas!

As the publication date looms closer, both the publisher and I have started marketing the book. This involves contacting potential buyers as well as making updates to both our websites to facilitate ordering.

Many authors or would-be authors do not realize that writing books requires the author to do a certain amount of publicity and marketing. Even if a large publishing house with a marketing department is handling your book, you need to be as involved as possible, if you want to sell a lot of books.

Writing is only half of being an author. Once you have finished your manuscript, you need to be knowledgeable about how to market your book to publishers. The course I took from the Institute for Children's Literature taught both writing and marketing. Many aspiring authors I have talked to have no idea what to do once they finish their manuscript. There are many books and websites that explain how to find publishers and how to contact them. If you fail to do your homework, randomly select publishers, and do not package your submission in the required manner, you stand very little chance of your manuscript even being looked at, much less published.

Once you have sold your book, you need to help market your book to the public. I have been collecting information on this subject for years and have a file folder of clippings from writers' newsletters and articles. At one point I considered self-publishing through POD (print-on-demand); the author pays anywhere from several hundred to several thousand dollars, and publishes without the benefit of the discriminating eye of an editor. There are many such publishers available, and as I researched them, I found that by using them, I would be 100% responsible for publicity and marketing. To prepare myself for that possibility, I began looking for even more information about how to do that. I learned that even a traditionally-published book will benefit from author involvement in the marketing process.

Many writers hope to become famous; I don't. Being a rather quiet, private type of person, I admit I dread the idea of publicizing myself. But I have also learned over the years that I can do many things I didn't think I could do, or even things I don't want to do. Making a website for my book was the first step, which I already knew how to do and which didn't involve face-to-face publicity. Then I designed and printed out bookmarks to give people I talk to. I found a graphic for the top, used some of the text I already had on my webpage, and printed it on orange paper. I designed some flyers which I posted around town on bulletin boards. These projects were time-consuming, but not scary.

I also did a few book talks at the school where I work. I have collected ideas for book talks to schools and to writers' groups ever since I started writing this book, so it wasn't hard to come up with a book talk format. Getting positive feedback from the kids and teachers was encouraging. It was fun to dress up in cowboy hat, chaps, boots, spurs, and wildrag, display some cowboy tack, and talk about cowboys, as well as read from my book and present some writing exercises. This wasn't scary either, but did make me a little nervous. I used to be extremely shy but over the years, through many opportunities, have developed the ability to speak in front of groups. I hope to be able to do some book talks, but since I work five days a week, I'm not sure if or how that might work out.

Book signings and media interviews are the kinds of things I dread. Instead, I prefer collecting business cards from vendors at horse activities who are interested in carrying my book, or searching the web for contact information for schools and homeschoolers. I will gladly drop by stores and gift shops, locally or wherever I happen to travel, or call librarians, to see if they might like to carry my book. I am glad that my publisher already has an established clientele that is interested in her books. I am glad she knows about marketing and distribution. I'm glad I did not choose to self-publish, taking on the financial risk and the huge burden of selling my book.